Rendering is the creation of the frames of a movie from a composition. The rendering of a frame is the creation of a composited two-dimensional image from all the layers, settings, and other information in a composition that makes up the model for that image. The rendering of a movie is the frame-by-frame rendering of each of the frames that make up the movie. For more information on how each frame is rendered, see Render order and collapsing transformations.
It is common to speak of rendering as if this term only applies to final output. However, the processes of creating previews for the Footage, Layer, and Composition panels are also kinds of rendering. In fact, it is possible to save a preview as a movie and use that as your final output. (See Preview video and audio.)
After a composition is rendered for final output, it is processed by one or more output modules that encode the rendered frames into one or more output files. This process of encoding rendered frames into files for output is one kind of exporting.
Note:
After Effects provides various rendering options that help you accelerate the rendering process. GPU acceleration offers better speed and precision in rendering your effects. The Video Rendering and Effects dropdown in the Project Settings dialog box gives you the following GPU effect rendering options to choose from:
Note: GPU-accelerated effects may render with small color precision differences in an 8-bpc project when compared to CPU-only rendering. Set the project to 16-bpc or 32-bpc for accurate results.
After you have completed a composition, you can output a movie file. There are two different methods of outputting a movie file. Choose the one based on your needs.
You might need a movie file for the following reasons:
Note:
Somekinds of exporting don’t involve rendering and are for intermediate stagesin a workflow, not for final output. For example, you can exporta project as an Adobe Premiere Pro project by choosing File >Export > Adobe Premiere Pro Project. The project informationis saved without rendering. In general, data transferred throughDynamic Link is not rendered.
A movie can be made into a single output file that contains all the rendered frames, or it can be made into a sequence of still images (as you would do when creating output for a film recorder).
To generate output, you can either render your compositions using the After Effects render queue or add your compositions to the Adobe Media Encoder queue with the render settings that you have chosen in the Render Queue panel.
For the Render Queue, After Effects uses an embedded version of the Adobe Media Encoder to encode most movie formats through the Render Queue panel. When you manage render and export operations with the Render Queue panel, the embedded version of the Adobe Media Encoder is called automatically. The Adobe Media Encoder appears only in the form of the export settings dialog boxes with which you specify some encoding and output settings. (See Encoding and compression options for movies.)
Note:
The embedded version of the Adobe Media Encoder used to manage export settings within After Effects output modules does not provide all the features of the full, stand-alone Adobe Media Encoder application.
From an expert: Using the Render Queue to export files
From an expert: Using the Render Queue to export files
The primary way of rendering and exporting movies from After Effects is through the Render Queue panel.
When you place a composition into the Render Queue panel, it becomes a render item. You can add many render items to the render queue, and After Effects can render multiple items in a batch, unattended. When you click the Render button in the upper-right corner of the Render Queue panel, all items with the status of Queued are rendered and output in the order in which they are listed in the Render Queue panel.
Note:
You do not need to render a movie multiple times to export it to multiple formats with the same render settings. You can export multiple versions of the same rendered movie by adding output modules to a render item in the Render Queue panel.
When working with multiple render items, it is often useful to add comments in the Comment column in the Render Queue panel. If the Comment column is not visible, right-click (Windows) or Control-click (Mac OS) a column heading, and choose Columns > Comment.
In the Render Queue panel, you can manage several render items at once, each with its own render settings and output module settings.
Render settings determine the following characteristics:
Output module settings—which are applied after render settings—determine post-rendering characteristics such as the following:
You can create templates that contain commonly used render settings and output module settings.
Using the Render Queue panel, you can render the same composition to different formats or with different settings, all with one click of the Render button:
Youcan select, duplicate, and reorder render items using many of thesame keyboard shortcuts that you use for working with layers andother items. See General(keyboard shortcuts).
Note:
To transferthe output rendered from After Effects to film or video, you must havethe proper hardware for film or video transfer, or have access toa service bureau that can provide transfer services.
Rendering a composition into a moviecan take a few seconds or many hours, depending on the composition’sframe size, quality, complexity, and compression method. As AfterEffects renders the item, you are unable to work in the program.An audio alert indicates when rendering is complete.
See this tutorial to learn how to use the render queue to export files.
When rendering of a render item is complete, it remains in the Render Queue panel with its status changed to Done until you remove the item from the Render Queue panel. You cannot rerender a completed item, but you can duplicate it to create a new item in the queue with the same settings or with new settings.
Note:
After an item has been rendered, you can import the finished movie as a footage item by dragging its output module from the Render Queue panel into the Project panel. (See Import footage items.)
Each render item has a status, which appearsin the Status column in the Render Queue panel:
The render item is listed in the Render Queue panel but isnot ready to render. Confirm that you have selected the desiredrender settings and output module settings, and then select theRender option to queue the render item.
The render item is ready to render.
An output filename has not been specified. Choose a valuefrom the Output To menu, or click the underlined Not Yet Specifiedtext next to the Output To heading to specify a filename and path.
After Effects was unsuccessful in rendering the render item.Use a text editor to view the log file for specific informationon why the rendering was unsuccessful. When a log file has beenwritten, the path to the log file appears under the Render Settingsheading and Log menu.
The rendering process was stopped.
The rendering process for the item is complete.
If the disk (to which an output module is writing) runs out of space, After Effects pauses the render operation. You can clear additional disk space and then resume rendering and exporting.
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Basic information about the current batch ofrenders is shown at the bottom of the Render Queue panel:
A status message. For example, Rendering 1 of 4.
Memory available for the rendering process.
The date and time at which the current batch of renders was started.
The rendering time elapsed (not counting pauses) since the current batch of renders was started.
The path where the log files are located.
Note:
To view more information about the current render operation, click the triangle to the left of the Current Render heading. The Current Render pane collapses (closes) after a short time. To prevent it from collapsing after a time-out period, Alt-click (Windows) or Option-click (Mac OS) the triangle next to the Current Render heading. To view details of a completed render, review the log file. When a log file has been written, the path to the log file appears under the Render Settings heading and Log menu.
A chime plays when all items in the render queue have been rendered and exported; a different sound plays if a render operation fails. You can change the render-complete sounds by replacing files named rnd_okay.wav and rnd_fail.wav in the sounds folder. The sounds folder is in the following location:
From an expert: Export a composition from After Effects to Adobe Media Encoder
From an expert: Export a composition from After Effects to Adobe Media Encoder
You can also export After Effects compositions directly into Adobe Media Encoder, which offers the flexibility to continue working in After Effects while files are being processed. When you use Adobe Media Encoder, you can also use additional presets and options that are not available in the After Effects Render Queue.
You can add your composition to the Adobe Media Encoder Queue using one of the following methods:
For information about using Adobe Media Encoder for rendering, see Encode video or audio items in Adobe Media Encoder.
Note:
The output module settings, such as format settings or color channel selection, are not transferred to Adobe Media Encoder when you choose the Queue in AME option. The output filename and location are transferred, however, Adobe Media Encoder does not use the filename and location templates, which may result in image sequence numbering mismatch.
Add a composition directly to Adobe Media Encoder
To add a composition to Adobe Media Encoder, do the following:
Add a composition from render queue to Adobe Media Encoder
To add a composition to the Adobe Media Encoder with render settings for draft rendering:
After Effects provides various formats and compression options for output. Which format and compression options you choose depends on how your output will be used. For example, if the movie that you render from After Effects is the final product that will be played directly to an audience, then you need to consider the medium from which you’ll play the movie and what limitations you have on file size and data rate. By contrast, if the movie that you create from After Effects is an intermediate product that will be used as input to a video editing system, then you should output without compression to a format compatible with the video editing system. (See Planning your work.)
Keep in mind the fact that you can use different encoding and compression schemes for different phases of your workflow. For example, you may choose to export a few frames as full-resolution still images (for example, TIFF files) when you need approval from a customer about the colors in a shot; whereas you may export the movie using a lossy encoding scheme (for example, H.264) when you need approval for the timing of the animation.
You can add the ability to export other kinds of data by installing plug-ins or scripts provided by parties other than Adobe.
Unless otherwise noted, all image file formats are exported at 8 bits per channel (bpc).
Note:
To create an animated GIF movie, first render and export a QuickTime movie from After Effects. Then import the QuickTime movie into Photoshop and export the movie to animated GIF.
The Collect Files command gathers copies of all the files in a project or composition into a single location. Use this command before rendering, for archiving, or for moving a project to a different computer system or user account.
When you use the Collect Files command, After Effects creates a new folder and the following information is saved in the new folder:
After you collect files, you can continue making changes to a project, but be aware that those changes are stored with the original project and not with the newly collected version.
The names of these folders appear in parentheses to signal to any attending render engines that they should not search these folders for projects.
Specify filenames and locationsfor rendered output
Note:
You can locate a previouslyrendered item or check the destination of a queued render item byexpanding the Output Module group in the Render Queue panel and clickingthe underlined file path, or by right-clicking (Windows) or Control-clicking (MacOS) the Output Module heading.
Specify the filename and locationfor a single render item
You can use custom templates to name the output according to properties of the composition and project.
Note:
To make a file naming template the default template, hold down Ctrl (Windows) or Command (Mac OS) as you choose the template from the Output To menu.
The Use Default File Name And Folder preference ensures that all compositions added to the render queue are automatically assigned a unique output filename (except for files created by saving previews, which still use the composition name). When this option is selected, each render item is assigned the same folder name as the previous render item until you change the path. If a composition is rendered more than once, After Effects adds a number to the filename (for example, composition_name_1).
Note:
Avoid using high-ASCIIor other extended characters in filenames for projects to be usedon different platforms or rendered using a watch folder.
You can add paths to templates. Absolute paths can be defined in a template. For example, you can define and save a template that always places rendered files in E:Output[compName].[extension].
Render settings apply to each render itemand determine how the composition is rendered for that specificrender item. By default, the render settings for a render item arebased on the current project settings, composition settings, and switchsettings for the composition on which the render item is based.However, you can modify the render settings for each render itemto override some of these settings.
Render settings applyto the root composition for a render item, as well as all nestedcompositions.
Note:
Render settings only affectthe output of the render item with which they’re associated; thecomposition itself is not affected.
Note:
The default render settings template is assigned to a render item when it is created. To change which render settings template is the default, hold down Ctrl (Windows) or Command (Mac OS) as you choose a render settings template from the menu.
Create, edit, and manage rendersettings templates
You perform the following tasks in the RenderSettings Templates dialog box. To open the Render Settings Templatesdialog box, choose Edit > Templates > Render Settings, orclick the triangle next to the Render Settings heading in the RenderQueue panel and choose Make Template.
Note:
Changes to an existing template do not affect render items that are already in the render queue.
Each of these settings overrides compositionsettings, project settings, or layer switch settings.
You can choose how much information After Effects writesto a render log file. If you choose Errors Only, After Effects onlycreates the file if errors are encountered during rendering. Ifyou choose Plus Settings, a log file is created that lists the currentrender settings. If you choose Plus Per Frame Info, a log file iscreated that lists the current render settings and information aboutthe rendering of each frame. When a log file has been written, thepath to the log file appears under the Render Settings heading andLog menu.
The quality setting to use for all layers. (See Layerimage quality and subpixel positioning.)
Resolution of the rendered composition, relative to the original composition dimensions. (See Resolution.)
Note:
If you render at reduced resolution, set the Quality option to Draft. Rendering at Best quality when reducing resolution produces an unclear image and takes longer than Draft quality.
Determines whether the disk cache preferences are used during rendering. Read Only writes no new frames to the disk cache while After Effects renders. Current Settings (default) uses the disk cache settings defined in the Media & Disk Cache preferences.
Determines whether to use proxies when rendering. CurrentSettings uses the settings for each footage item. (See Placeholdersand proxies.)
Current Settings (default) uses the current settings for Effect switches . All On renders all applied effects. All Off renders no effects.
Current Settings (default) uses the current settings forSolo switches foreach layer. All Off renders as if all Solo switches are off. (See Soloa layer.)
Current Settings renders guide layers in the top-level composition.All Off (the default setting) does not render guide layers. Guidelayers in nested compositions are never rendered. (See Guidelayers.)
Current Settings (default) uses the project bit depth. (See Color depthand high dynamic range color.)
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On For Checked Layers renders frame blending only for layers withthe Frame Blending switch set,regardless of the Enable Frame Blending setting for the composition.(See Frameblending.)
Determines the field-rendering technique used for the rendered composition.Choose Off if you are rendering for film or for display on a computer screen.(See Interlacedvideo and separating fields.)
Specifies the phase of 3:2 pulldown. (See Introduce3:2 pulldown.)
Current Settings uses the current settings for the MotionBlur layer switch andthe Enable Motion Blur composition switch. On For Checked Layers rendersmotion blur only for layers with the Motion Blur layer switch set, regardlessof the Enable Motion Blur setting for the composition. Off For All Layersrenders all layers without motion blur regardless of the layer switchand composition switch settings. (See Motionblur.)
How much of the composition to render. To render the entire composition, choose Length Of Comp. To render only the part of the composition indicated by the work area markers, choose Work Area Only. To render a custom time span, choose Custom. (See Work area.)
The sampling frame rate to use when rendering the movie.Select Use Comp’s Frame Rate to use the frame rate specified inthe Composition Settings dialog box, or select Use This Frame Rateto use a different frame rate. The actual frame rate of the compositionis unchanged. The frame rate of the final encoded movie is determinedby the output module settings. (See Framerate.)
Lets you rerender part of a sequence of files without wasting time on previously rendered frames. When rendering a sequence of files, After Effects locates files that are part of the current sequence, identifies the missing frames, and then renders only those frames, inserting them where they belong in the sequence. You can also use this option to render an image sequence on multiple computers. (See Render a still-image sequence with multiple computers.)
Note:
The current image sequence must have the same name as the existing image sequence, and the starting frame number, frame rate, and time span must be the same. You must render to the folder that contains the previously rendered frames.
Output module settings apply to each renderitem and determine how the rendered movie is processed for finaloutput. Use output module settings to specify file format, outputcolor profile, compression options, and other encoding options forfinal output.
You can also use output module settings to crop,stretch, or shrink a rendered movie; doing this after renderingis often useful when you are generating multiple kinds of outputfrom a single composition.
Output module settings are appliedto the rendered output that is generated according to the rendersettings.
For some formats, an additional dialog box openswhen you choose the format in the Output Module Settings dialogbox. You can modify these settings and use settings presets to specifyformat-specific options, such as compression options.
Youcan apply multiple output modules to each render item, which isuseful when you want to make more than one version of a movie fromone render. For example, you can automate the creation of a movieand its alpha matte, or you can create high-resolution and low-resolutionversions of a movie.
Note:
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Before rendering, checkthe Audio Output settings in the Output Module Settings dialog boxto ensure that they are correct. To render audio, Audio Output mustbe selected. If your composition does not include audio, do notselect Audio Output, so that the size of the rendered file doesnot increase needlessly.
You can set the output module of multiple render queue items at the same time. Select the render queue items, and then choose an output module template from the Output Module Settings menu for one of the items.
You can drag an output module to the Project panel to import the finished movie or a placeholder into the project for use as a footage item. (See Import footage items.)
Andrew Kramer provides a video tutorial with tips for working with proxies, output modules, and output module templates on the Video Copilot website.
Note:
The default output module settings template is assigned to a render item when it is created. To change which output module template is the default, hold down Ctrl (Windows) or Command (Mac OS) as you choose an output module template from the menu.
Note:
To change output module settings for multiple output modules at once, select the output modules and then choose an output module template. The template is applied to all selected output modules.
You perform the following tasks in the OutputModule Templates dialog box. To open the Output Module Templatesdialog box, choose Edit > Templates > Output Module, or clickthe triangle next to the Output Module heading in the Render Queuepanel and choose Make Template.
Note:
Changes to an existing template do not affect render items that are already in the render queue.
Add output modules to and removeoutput modules from render items
For information on using controls in the ColorManagement area of the Output Module Settings dialog box, see Assignan output color profile.
Specifies the format for the output file or sequence of files.
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Specifies whether to include information in the output file thatlinks to the source After Effects project. When you open the outputfile in another application, such as Adobe Premiere Pro, you canuse the Edit Original command to edit the source project in AfterEffects.
Specifies whether to include XMP metadata in the output filefrom the files used as sources for the rendered composition. XMP metadatacan travel all the way through After Effects from source files,to footage items, to compositions, to rendered and exported files.For all default output module templates, Include Source XMP Metadatais deselected by default. (See ExportingXMP metadata from After Effects.)
Specifies an action for After Effects to perform after the compositionis rendered. (See Post-renderactions.)
Opens a dialog box in which you specify format-specific options.
The output channels contained in the output movie. After Effects creates a movie with an alpha channel if you choose RGB+Alpha, implying a depth of Millions of Colors+. Not all codecs support alpha channels.
Note:
All files created with a color depth of Millions of Colors+, Trillions of Colors+, or Floating Point + have labeled alpha channels; information describing the alpha channel is stored in the file. Therefore, you do not have to specify an alpha interpretation each time you import an item created in After Effects.
Specifies the color depth of the output movie. Certain formatsmay limit depth and color settings.
Specifies how colors are created with the alpha channel.Choose from either Premultiplied (Matted) or Straight (Unmatted).(See Alphachannel interpretation: premultiplied or straight.)
Specifies the number for the starting frame of a sequence.For example, if this option is set to 38, After Effects names thefirst frame [file_name]_00038. The Use Comp FrameNumber option adds the starting frame number in the work area tothe starting frame of the sequence.
Specifies the size of your output movie. Select Lock AspectRatio To if you want to retain the existing frame aspect ratio whenresizing the frame. Select Low Resize Quality when rendering tests,and select High Resize Quality when creating a final movie. (See Scalinga movie down and Scalinga movie up.)
Used to subtract or add rows or columns of pixels to the edges of the output movie. You can specify the number of rows or columns of pixels to be added or subtracted from the top, left, bottom, and right sides of the movie. Use positive values to crop, and use negative values to add rows or columns of pixels. Select Region Of Interest to export only the region of interest selected in the Composition or Layer panel. (See Region of interest (ROI).)
Note:
By adding one row of pixels to the top and subtracting one row from the bottom of a movie, you can change the field order.
Specifies the sample rate, sample depth (8 Bits or 16 Bits), and playback format (Mono or Stereo). Choose a sample rate that corresponds to the capability of the output format. Choose an 8-bit sample depth for playback on the computer, and a 16-bit sample depth for CD and digital audio playback or for hardware that supports 16-bit playback.
Note:
The specifications for some formats impose limits on audio parameters. In such cases, audio options may be unavailable for modification in the Output Module Settings dialog box. Also, audio options for some formats are set in the export settings dialog box for that format. For example, to set audio output options for Windows Media, click Format Options in the Output Module Settings dialog box.
Some formats enforce constraints on frame dimensions and frame rate.
If you choose such a constrained output format, and your composition, its render settings, or its output module settings don’t match the constraints, then After Effects shows a yellow warning icon and the message “Settings mismatch” at the bottom of the Output Module Settings dialog box.
Click the warning icon to see a detailed message that describes how the output file will be modified to meet the format constraints. You can go back and change composition settings, render settings, and output module settings if you don't want After Effects to make the changes automatically in the output module.
For more information about output module constraints and the warnings for mismatches in frame rate, dimensions, and pixel aspect ratio, see the Adobe website.
Compression is essential for reducing the size of moviesso that they can be stored, transmitted, and played back effectively.Compression is achieved by an encoder; decompression is achievedby a decoder. Encoders and decoders are known by the common term codec.No single codec or set of settings is best for all situations. Forexample, the best codec for compressing cartoon animation is generallynot efficient for compressing live-action video. Similarly, thebest codec for playback over a slow network connection is generallynot the best codec for an intermediate stage in a production workflow.For information on planning your work with final output in mind,see Planningyour work.
After Effects uses an embedded version of the Adobe Media Encoderto encode most movie formats through the Render Queue panel. Whenyou manage render and export operations with the Render Queue panel,the embedded version of the Adobe Media Encoder is called automatically.The Adobe Media Encoder appears only in the form of the export settingsdialog boxes with which you specify some encoding and output settings.
Note:
The embedded version of the Adobe Media Encoder used to manage export settings within After Effects output modules does not provide all the features of the full, stand-alone Adobe Media Encoder application. For information about the full, stand-alone Adobe Media Encoder application, see Adobe Media Encoder Help.
For most output formats, you can specify format-specific encoding and compression options. In many cases, a dialog box opens and presents these options when you choose a format to export to or click the Format Options button in the Output Module settings dialog box. (See Output modules and output module settings.)
QuickTime (MOV) encoding and compressionsettings
You can use post-render actions to automatesimple tasks that occur after a composition is rendered.
Acommon example of the use of post-render actions is with pre-rendering: ChoosingComposition > Pre-render adds the selected composition to therender queue and sets the Post-Render Action option to Import &Replace Usage.
Note:
You choose Post-Render Action options inthe Output Module group, so be aware that changing the Output Moduletemplate could also change the Post-Render Action option. (See Outputmodules and output module settings.)
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I have a corrupted micro SD card. With huge trying I could to recover it's data using recuva tool, but now my files are corrupted also. They are video file with some famous extensions such as 3gp, mp4, flv, wmv, avi. My video file players are VLC and Media player classic. The media player classic says, 'can not render the file' and VLC doesn't show anything.
Is there a way to repair these video files?
abbasi
abbasiabbasi
3 Answers
The chances are that when you were recovering them tiny bits of the code was eater not there or left behind. This will make the video corrupt and it will be almost impossible to repair the code, even with hours and hours of work the most you could get would be able to get would be a few seconds in total, and these will not be in one piece. Most of them you wouldn't even be able to recover at all. Sorry but I think you may of lost them unless some one else has any suggestions.
You could try this link
09stephenb09stephenb
39733 gold badges99 silver badges2929 bronze badges
I would strongly suggest you the applicaton called GetDataBack for NTFS / FAT, you can download it from the following link: http://www.runtime.org/data-recovery-software.htm
You might find it a bit costly but it's worth the price, it has saved my life on several occasions!
Bare in mind though (as the gentleman before me already mentioned) if the USB stick / hard drive is corrupted some of the files GetBackData will recover will be faulty (eg.: part of the mp3 file will be static, missing frames in movie files) but it can still recover most of the things from your USB / hard drive.
A32167A32167
What I understood was, you got back your videos, but it is corrupted. Recuva is nice software and I hope you have got all the videos. Since the videos are corrupted, that cannot be fixed with recovery software if i am not wrong. You need to use a video repair software.You can check this free software: http://www.risingresearch.com/en/dvr/If possible create a copy of the video file and then repair, because I am not sure whether this software directly repairs the original file.If this doesn't work, I would recommend you to go for some paid software. Check this if it is of any help:http://www.hi5software.com/repair/unable-to-play-mov-file.html
Issac KannedyIssac Kannedy
Not the answer you're looking for? Browse other questions tagged videodata-recovery or ask your own question.
I have a corrupted micro SD card. With huge trying I could to recover it's data using recuva tool, but now my files are corrupted also. They are video file with some famous extensions such as 3gp, mp4, flv, wmv, avi. My video file players are VLC and Media player classic. The media player classic says, 'can not render the file' and VLC doesn't show anything.
Is there a way to repair these video files?
abbasi
abbasiabbasi
3 Answers
The chances are that when you were recovering them tiny bits of the code was eater not there or left behind. This will make the video corrupt and it will be almost impossible to repair the code, even with hours and hours of work the most you could get would be able to get would be a few seconds in total, and these will not be in one piece. Most of them you wouldn't even be able to recover at all. Sorry but I think you may of lost them unless some one else has any suggestions.
You could try this link
09stephenb09stephenb
39733 gold badges99 silver badges2929 bronze badges
I would strongly suggest you the applicaton called GetDataBack for NTFS / FAT, you can download it from the following link: http://www.runtime.org/data-recovery-software.htm
You might find it a bit costly but it's worth the price, it has saved my life on several occasions!
Bare in mind though (as the gentleman before me already mentioned) if the USB stick / hard drive is corrupted some of the files GetBackData will recover will be faulty (eg.: part of the mp3 file will be static, missing frames in movie files) but it can still recover most of the things from your USB / hard drive.
A32167A32167
What I understood was, you got back your videos, but it is corrupted. Recuva is nice software and I hope you have got all the videos. Since the videos are corrupted, that cannot be fixed with recovery software if i am not wrong. You need to use a video repair software.You can check this free software: http://www.risingresearch.com/en/dvr/If possible create a copy of the video file and then repair, because I am not sure whether this software directly repairs the original file.If this doesn't work, I would recommend you to go for some paid software. Check this if it is of any help:http://www.hi5software.com/repair/unable-to-play-mov-file.html
Issac KannedyIssac Kannedy
Not the answer you're looking for? Browse other questions tagged videodata-recovery or ask your own question.Comments are closed.
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